WAR FILMS 
WAR USE 

^ congmess 

16 MM. 

SOUND FILMS 

(Non-theatrical) 


tu. 

OFFICE OF WAR INFORMATION 
Bureau of Motion Pictures 

Washington 25, D. C. 


1944-1945 






OFFICE OF WAR INFORMATION motion 
pictures inform the American people of the status 
and progress of the war. They cover the lighting 
fronts and the home front. They point out the 
issues of the war and clarify the nature of our 
enemies. They build an understanding and a re¬ 
spect for our Allies in Britain, in China, in Russia, 
and around the world. They drive home dra¬ 
matically and positively what Americans are doing 
and must do for Victory. 

OFFICE OF WAR INFORMATION motion 

pictures can be used wherever Americans meet for 
a serious purpose. They are being widely used in 
war plants, labor groups, service clubs, women’s 
clubs, parents’ groups, civilian defense meetings, 
community gatherings, schools and colleges, 
churches, rural meetings, and fraternal groups. 


How Can OWI Films Be Obtained? 

These films are supplied by the Government 
through authorized OWI distributors. Make your 
application direct to the nearest distributor of your 
choice. Do not apply direct to OWI. Distribu¬ 
tors are listed in the back of this catalog. 

There are now 250 distributors, including uni¬ 
versity film libraries, state and city school systems, 
commercial film companies, public libraries, and 
civilian defense councils in all of the 48 States, 
District of Columbia, Alaska, Hawaii, and Puerto 
Rico. 

There is no rental fee on OWI films, but dis¬ 
tributors may make a service charge not to exceed 
50 cents for each subject loaned per week or frac¬ 
tion thereof plus transportation charges both ways 
TARGET FOR TONIGHT , THE WORLD AT 
WAR, DESERT VICTORY , and DUTCH TRA¬ 
DITION carry a maximum service charge of $2.50 
per subject per week or fraction thereof. The 
maximum allowable service charge on THE 
NEGRO SOLDIER is $2 per week or fraction 
thereof. Book films for only the number of days 
needed in order that maximum use may be made of 
all prints. 

Many of the films listed herein are available for 
outright purchase. Replacement footage can be 
purchased on most subjects. If you desire to pur¬ 
chase any films or replacement footage, write us 
for particulars. 




* TvA- 

Classified 1 


ist 


of OWI Films 


Our fighting forces 

Cadet Classification 
Coast Guard SPARS 
Desert Victory 
Food for Fighters 
Jap Zero 

Letter from Bataan 
Men and the Sea 
Mission Accomplished 
The Negro Soldier 
New Soldiers Are Tough 
Paratroops 
Pincers on Japan 
Report from the Beach¬ 
head 

Reports from AAF 
Ring of Steel 
Sicily—Key to Victory 
Swim and Live 
Target for Tonight 
Task Force 
Troop Train 
What Makes a Battle 
Wings Up 

Winning Your Wings 

Our Allies 

Brazil at War 
China—Our Western 
Front 
Corsica 
Dover 

Dutch Tradition 
Listen to Britain 
Report from Russia 
Target for Tonight 
The Thousand Days 
The World at War 

The nature of 
our enemies 

The Arm Behind the Army 
Divide and Conquer 
Our Enemy—The Japa¬ 
nese 

The World at War 
These Are the Men 


The production front 

All Out for Victory 
Aluminum 
The Arm Behind the 
Army 

Building a Bomber 
Building a Tank 
Bomber 

Conquer by the Clock 
Day of Battle 
Handle With Care 
Lake Carrier 
Suggestion Box 
Tanks 

Target—Berlin 

The farm front 

The Farm Garden 
Farmer at War 
Food and Magic 
Henry Browne, Farmer 
Home on the Range 

The home front 

Black Marketing 
Campus on the March 
Care of Children of 
Working Mothers 
Challenge to Democracy 
Food and Magic 
Is Your Trip Necessary ? 
It s Everybody’s War 
Japanese Relocation 
Keeping Fit 
Letter from Bataan 
Magic Bullets 
Out of the Frying Pan 
Into the Firing Line 
Prices Unlimited 
Right of Way 
Safeguarding Military 
Information 
Three Cities 
Wartime Nutrition 
When Work Is Done 

Song shorts 

Anchors Aweigh 
Caissons Go Rolling 
Along 

Coast Guard Song 
Keep ’Em Rolling 
Marines’ Hymn 


Other Government Film Sources 


Agricultural films may be obtained in most 
States from the extension division at your State 
agricultural college or the university extension di¬ 
vision at your State university. If films are not 
available there, write to the Motion Picture Service, 
U. S. Department of Agriculture, Washington 25, 
D. C. 

For films on health write your State health de¬ 
partment or Surgeon General, U. S. Public Health 
Service, Washington 25, D. C. 

For information concerning films on SOUTH 
AND CENTRAL AMERICA, MEXICO AND 
THE CARIBBEAN and where they may be se¬ 
cured, write The Coordinator of Inter-Ameri¬ 
can Affairs, Motion Picture Division, 444 
Madison Avenue, New York 22, N. Y. 

Motion-picture films of the Bureau of Mines, 
U. S. Department of the Interior, are loaned to 
educational institutions, industries conducting 
training classes for war workers, engineering and 
scientific societies, civic and business associations, 
and other responsible organizations. 

The films depict mining and metallurgical oper¬ 
ations and related manufacturing processes; they 
show where minerals are found and how they are 
extracted from the earth, refined, or manufactured 
into useful everyday products and utilized. 

Write to Louis F. Perry, Supervising Engineer, 
Graphic Services Section, Bureau of Mines Experi¬ 
ment Station, 4800 Forbes Street, Pittsburgh, Pa., 
for a list of films and depositories. Obtain films 
from the depository nearest you. 


Page 2 


Office of War Information Films 

(16 MM. SOUND) 

Most of these subjects are available from all of 
the distributors listed herein. Some subjects have 
limited distribution and therefore are not available 
from all distributors. Keep in touch with your 
16-mm. film distributor for other new OWI releases 
as well as for other excellent war films from many 
sources. 

(Films marked with * are available for outright purchase) 

ALL OUT FOR VICTORY ,20 minutes) 

This film shows the importance of the man behind the 
production line and points out that both the sweat of 
workers and the blood of soldiers are needed to win the 
war. Especially stressed is the fact that maximum use is 
made of all manpower and womanpower. It shows how 
well many peacetime industries have been converted to 
wartime production. Firestone. A Wilding Production. 

‘ALUMINUM „ miniItes , 

The manufacture of aluminum—from the transmutation 
of bauxite into alumina and thence into aluminum sheet¬ 
ing. 

THE ARM BEHIND THE ARMY no minutes) 

The stakes of American labor and American industry in 
this war—freedom, security, life itself. War Department. 

‘BLACK MARKETING m minutes) 

A dramatization of an actual and typical case taken from 
the files of the Office of Price Administration. This film 
shows just how the black market operates and how it is 
defeated by cooperation of the public with the OPA and 
local law-enforcement officials. Office of Price Adminis¬ 
tration. 

*BOMBER (10 minutes) 

The manufacture, speed, and power of the B-26 Army 
bomber. Commentary specially written by Carl Sandburg. 
"As a production it ranks with the finest documentary 
films ever made.’’— Hollywood Reporter. 

BRAZIL AT WAR (10 minutes) 

The vast resources of Brazil, now a member of the United 
Nations, are turned to war against the Axis. Narrated 
by Edward Tomlinson, NBC radio commentator. Co¬ 
ordinator of Inter-American Affairs. 

^BUILDING A BOMBER (20 minutes) 

An educational exposition of the building of the B-26 

Army bomber. Of interest primarily to engineering and 
vocational schools. 

*BUILDING A TANK (20 minutes) 

The construction of the M-3 Army tank, including techni¬ 
cal details of manufacture. 


Page 3 


CADET CLASSIFICATION <20 minutes) 

Classification procedure for selection of bombardiers, 
pilots, and navigators. The various physical and mental 
examinations are shown in detail, and the method of 
determining the final classification is illustrated. De¬ 
signed to show the aviation cadet the "why” and "how 
of the classification system. War Department. 

*CAMPUS ON THE MARCH (19 minutes) 

Wartime activities being carried on in American colleges 
and universities. Across the screen march young men 
and women being prepared for war today and for peace 
tomorrow. 

CARE OF CHILDREN OF 

WORKING MOTHERS (22 minutes) 

This film depicts a typical day in a nursery school. Helen 
Hayes, as commentator, emphasizes the advantages which 
the nursery school offers for the care of children of 
working mothers—safe and wholesome fun, wise guidance 
in the art of learning to do for one’s self and in helping 
others, a well-planned daily program, including indoor 
and outdoor play, nourishing food, rest periods, and 
health supervision. Office of Civilian Defense. 

CHALLENGE TO DEMOCRACY (20 minutes) 

This film tells the story of 110,000 displaced people and 
how our Government is handling their problems. The 
subjects are people of Japanese descent who were evacu¬ 
ated from the Pacific coast by the Army in 1942, and 
subsequently transferred to relocation centers managed 
by Civilian War Relocation Authorities. Their readjust¬ 
ment in new communities and in the normal stream of 
life is truly a challenge to democracy. War Relocation 
Authority. 

*CHINA—OUR WESTERN FRONT (21 minutes) 

China’s heroic fight and desperate struggle against the 
war lords of Japan. A tribute to the courage and tenacity 
of the people of China—fighting with us in the battle 
for freedom. United China Relief. 

COAST GUARD SPARS (6 minutes) 

"Join the SPARS and release a man for sea.” This film 
shows just what this slogan means—in the vital and 
interesting work now being performed by women in uni¬ 
form so that the Coast Guardsmen they replace are freed 
for sea duty. Coast Guard. 

CONQUER BY THE CLOCK m minutes) 

Dramatic portrayal of the results of carelessness in war 
production—the death of an American soldier in the 
Southwest Pacific, of American airmen in the North 
Atlantic. RKO. 

'CORSICA (11 minutes) 

Shows the Allies landing in Corsica and coming to the 
aid of the islanders. The historical significance of the 
leading cities is outlined. There are intimate glimpses 
of the habits and customs of the native people. French 
Press and Information Service. 


Page 4 


*DAy OF BATTLE (10 minutes) 

This is the story of an aircraft carrier—how she was 
built and how she was destroyed in battle against the 
Japanese in the South Pacific. It is a camera record of 
American iron ore, steel, tungsten, manganese, American 
courage, brought together for a few supreme hours to 
make an important day in American history. 

*DESERT VICTORY (62 minutes) 

This highly dramatic film on desert warfare is the official 
British Army record of General Montgomery’s advance 
from El Alamein to Tripoli, produced by soldier camera¬ 
men who fought and marched with the British Army 
on the 1,300-mile trek across the sands of the Western 
Desert. British Information Services. 

DIVIDE AND CONQUER (14 minutes) 

The Nazis at work deliberately spreading hate and fear, 
distrust and confusion among the French people. A 
sober and dramatic reminder that this war is being fought 
on civilian as well as military fronts. This is not to be 
confused with the War Department film by the same title. 
Warner Brothers. 

*DOVER (10 minutes) 

The spirit of the people of England, offensive-minded 
with Commandos raiding Nazi strongholds, soldiers re¬ 
hearsing tank tactics, the RAF roaring overhead bound 
for German targets. Narrated by Edward R. Murrow, 
CBS radio commentator. British Information Services. 

♦THE DUTCH TRADITION (30 minutes) 

Presents the colorful story of the Netherlands during the 
last 4 years. In a tense sequence of well-edited shots is 
told the story of the brutal German invasion of Holland 
as well as the Japanese capture of the East Indies. The 
Netherlands are pictured fighting for freedom side by side 
with the other United Nations. The Netherlands Infor¬ 
mation Bureau. 

*THE FARM GARDEN (Kodachrome) 

(20 minutes) 

Shows how to plan, plant, cultivate and harvest a farm 
garden. Department of Agriculture. 

♦FARMER AT WAR (11 minutes) 

The war production program of the farmers of America 
is illustrated in this film. Pictures the farmers of Lancas¬ 
ter County, Pa., managing by working longer hours and 
cooperating with their neighbors to meet the need for the 
greatest output of farm products possible, at a time when 
there is a serious labor and tool shortage. 

FOOD AND MAGIC (11 minutes) 

Food is the weapon in our hands here at home. It is up to 
every one of us to observe the rules vital to the successful 
progress of the war. This means production, conserva¬ 
tion, sharing, and playing square. It means placing the 
war first. Department of Agriculture. A Warner Broth¬ 
ers production. 


Page 5 


*FOOD FOR FIGHTERS (10 minutes) 

The science of nutrition goes to war as the Quartermaster 
Corps of the U. S. Army makes sure that American 
soldiers are the best fed army in the world. 

*HANDLE WITH CARE (20 minutes) 

The stages of manufacture in a Canadian explosives plant 
are carefully depicted. The necessity for eternal vigil¬ 
ance is revealed as much on the rapt faces of the workers 
as by the safety devices and rigidly enforced rules. Na¬ 
tional Film Board of Canada. 

*HENRY BROWNE, FARMER m minutes) 

A simple down-to-earth story of a Negro family in war¬ 
time—what they are doing individually and collectively 
to win the war. Narrated by Canada Lee. Department 
of Agriculture. 

*HOME ON THE RANGE (11 minutes) 

The western range country and its importance in the 
war—mutton and wool, beef and leather necessary for 
Victory. A tribute to the men of the workaday West— 
honest, independent, tough. Department of Agriculture. 

IS yOUR TRIP NECESSARY? (3 minutes) 

This short bulletin urges people to travel only when 
absolutely necessary in order that travel space can be 
saved for millions of troops and millions of essential 
civilian war workers. Office of Defense Transportation. 

IT'S EVERyBODVS WAR „ 6 m ( nutes , 

The effect of the war upon one American community. 
In the story of what the people of that town are doing to 
help win the war, there is an example of what everyone 
can do. Narrated by Henry Fonda. 20th Century-Fox. 

JAP ZERO (20 minutes) 

A training film in aircraft identification emphasizing the 
keen sight and quick decisions required of American air¬ 
men. Army Air Forces. 


* JAPANESE RELOCATION „ minutes) 

American democracy at work moving 100,000 Japanese, 
two-thirds of them American citizens, from the Pacific 
coast to inland settlements in Arizona, Colorado, and 
Wyoming. 


KEEPING FIT 


(10 minutes) 


Demonstration of the wartime effects of sickness, ab¬ 
sences, idle production lines, fewer planes—and an 
explanation of five simple rules of health. Universal. 


*LAKE CARRIER 


(9 minutes) 


Transportation of iron ore from the Mesabi ranges of 
Minnesota across the Great Lakes to the steel mills of 
Gary, Pittsburgh, and Youngstown. Narrated by Fred- 
ric March. 


Page 6 


A LETTER FROM BATAAN (14 minutes) 

A glimpse of the conditions under which American sol¬ 
diers lived and died on Bataan, and a dramatic plea for 
civilians at home to conserve rubber, save fats, and use 
food carefully—so that other American soldiers will be 
prepared. Paramount. 

‘LISTEN TO BRITAIN C20 minutes) 

A remarkable factual record of the many sounds and 
sights of wartime Britain—from the roar of Spitfires to 
the shouting of children—and an eloquent tribute to 
the everyday people of England. British Ministry of 
Information. 

‘MAGIC BULLETS ,30 minutes) 

A condensation of Warner Brothers feature starring Ed¬ 
ward G. Robinson, based on the life of Dr. Paul Ehrlich, 
Earned scientist who discovered "606,” cure for syphilis. 
Public Health Service. A Warner Brothers production. 

‘MEN AND THE SEA <10 minutes) 

Training the men who man our cargo ships carrying food, 
munitions, and supplies throughout the world. Presented 
by the U. S. Maritime Commission and dedicated to 
American merchant seamen. 

^MISSION ACCOMPLISHED (10 minutes) 

The story of the first all-American raid over occupied 
Europe. American crews, piloting their Flying Fortresses, 
attack the railroad yards at Rouen and return safely to 
their base in England. 

*NEGRO COLLEGES IN WARTIME (8 minutes) 

Wartime activities being carried on in America’s Negro 
colleges, from Army classes in automotive mechanics to 
scientific experimentation in laboratories. 

NEGRO SOLDIER (45 minutes) 

This film portrays the part of the Negro in our fight for 
the American way of life. It shows him in action in all 
of the wars of the Republic from the War of Independ¬ 
ence through the present war. It was made under the 
supervision of Col. Frank Capra. War Department. 

*NEW SOLDIERS ARE TOUGH (20 minutes) 

A new type of soldier is coming to the fore; soldiers with 
a new type of training, a new psychology of attack—hit 
first, hit hard, and keep on hitting. This film is the story 
of these tough young men and ends with a thrilling 
account of a British Commando raid on a Nazi-held 
village in Norway. National Film Board of Canada. 

OUR ENEMy— THE JAPANESE (20 minutes) 

This film gives an insight into the resources and indus¬ 
tries, religion, military training, lives, and minds of the 
people of Japan. It tells what our enemy in the Pacific 
is really like. Narrated by former American Ambassador 
to Japan Joseph C. Grew. Navy Department. A March 
of Time production. 


Page 7 


OUT OF THE FRYING PAN (3 minutes) 
INTO THE FIRING LINE (Technicolor) 


Pluto and Minnie Mouse, two of America’s favorite char¬ 
acters, show why and how to save fats and greases. A 
Walt Disney production. 

*PARATROOPS (9 minutes) 

Terse and factual account of the training given our Sol¬ 
diers of the Sky in how to jump, fall, guide a ’chute, land, 
and come up fighting. 

*PINCERS ON JAPAN (20 minutes) 

Canada’s place in the strategy of the Pacific is the subject 
of this film. Convoys carrying the sinews of war steam 
out from her ports, while along her western coast lookouts 
and patrol boats keep constant vigil. Scenes of the con¬ 
struction of the Alaska Highway are pictured. National 
Film Board of Canada. 

THE PRICE OF VICTORY (is minutes) 

With candor and conviction, Henry A. Wallace, Vice 
President of the United States, explains the ideals we are 
fighting for and the price we must pay for Victory. Para¬ 
mount. 

PRICES UNLIMITED (10 minutes) 

Shows that rationing and price controls are necessary 
and serve ultimately to benefit the consumer. Office of 
Price Administration. A Universal production. 

*REPORT FROM RUSSIA (8 minutes) 

Russia’s "secret weapon” is the strength of the Russian 
people—the men, women, and children who punctured 
forever the myth of German invincibility. 

REPORTS FROM THE AAF ( 9 minutes) 

Shows the RAF and the 8th Air Force on a hedge-hopping 
bombing flight over France and Germany. Includes the 
5th Air Force report from New Guinea and the AAF 
maintenance and repair installation in Port Moresby, 
New Guinea. Treasury-War Department. 

REPORT FROM THE 

BEACHHEAD (9 minutes) 

Shows the established beachhead at Anzio. Portrays the 

hardships endured by our men, shows the casualties, 
and stresses the fact that, no matter how costly, no deal 
will be made with the Axis powers until Victory is won. 

Treasury-War Department. 

‘RIGHT OF WAX ,7 miButes) 

Through the night a troop train, a freight train, and a 

truck rush to a convoy scheduled to sail early the next 
morning, to deliver the goods on time. An explanation 
of why the civilian public must be inconvenienced at times 
in its traveling so that materials of war will not arrive 
too late. 


Page 8 


*R!NG OF STEEL no minutes) 

A tribute to the American soldiers who have protected 
our country from 1776 to 1943, forging a "ring of steel” 
around American democracy. Narrated by Spencer Tracy. 

^SAFEGUARDING MILITARY 
INFORMATION (10 minutes) 

Dramatic exposition of the results of careless talk—a ship 
torpedoed, a train wrecked. Emphasizes the need for 
secrecy by soldiers and civilians. I Var Department. 

*SICILY—KEY TO VICTORY (20 minutes) 

The record of the Canadian First Division in the Sicilian 
campaign. With the aid of animated maps, the advance 
of the Canadians is shown town by town. The story cuts 
back to Canada, to the war workers standing behind the 
army, demonstrating the essential link between war front 
and home front, which is the real key to Victory. Na¬ 
tional Film Board of Canada. 

*SUGGEST!ON BOX (10 minutes) 

In war plants all over the country, workers are being 
encouraged to submit suggestions which will effect a 
saving in time, labor, and materials, thus enabling pro¬ 
duction to be increased. This film presents several exam¬ 
ples of how workers’ suggestions have resulted in im¬ 
proved methods of manufacture. 

SWIM AND LIVE (20 minutes) 

Training soldiers of the U. S. Army, soon to be sailing 
through submarine-infested waters, to swim so that they 
may live —how to jump from a ship without splintering a 
leg, how to make shirts and trousers into life preservers, 
how to swim through burning oil. Army Air Forces. 

*TANKS (10 minutes) 

Manufacture and performance of the M-3 Army tank. 
Narrated by Orson Welles. "In telling the tale of how 
the M-3 medium tank is assembled, tested, and shipped 
overseas, all the component factors are fused into an 
outstanding reel.”— Film Daily. 

*TARGET—BERLIN (20 minutes) 

This is the story of Canada’s unique industrial achieve¬ 
ment—the building of the first Lancaster, the world’s 
largest bomber. It is the story of how a country mobil¬ 
ized all its skills and strength to turn out the machines of 
war that help bring victory closer. The Lancaster takes 
us with her on the mission to bomb Berlin—a mission 
significant because it points the road to more. bombings 
and more targets until Victory is ours. National Film 
Board of Canada. 

*TARGET FOR TONIGHT (48 minutes) 

A thrilling true story of a bombing raid over Germany 
by the RAF. One of the finest pictures of the war. 
"Quickens the pulse and cheers the heart.”—New York 
Times. British Ministry of Information. 


Page 9 


TASK FORCE (22 minutes) 

The fighting men of the Coast Guard are shown fulfilling 
their mission escorting a convoy and landing invaders. 
Coast Guard. 

*THESE ARE THE MEN (11 minutes) 

The Nazi leaders, Hitler, Goebbels, Goering, and Hess, 
speak their own denunciation against a background of 
German might and German-wrought devastation. There 
are also scenes showing how the Nazi leaders are debasing 
and poisoning the minds of the youth of Germany. Brit¬ 
ish Information Services. 

THE THOUSAND DAYS (21 minutes) 

Canada’s remarkable achievements during three years of 
war and an inspiring tribute to the resolute spirit of 
Canadians, each one doing his utmost, all working to¬ 
gether for Victory. Associated Screen Studios. 

*THREE CITIES no minutes) 

This film is the story of three typical American cities, one 
seafaring, one manufacturing, and one rural, and how 
the war workers in each tackled a problem of wartime 
living and found a solution. 

*TROOP TRAIN (11 minutes) 

Moving the 201st Armored Division—tanks, trucks, half¬ 
tracks, motorcycles, jeeps, guns, and men—across the 
country from "X” to "Y.” 

U. S. NEWS REVIEW: Issue No. 2 (19 minutes) 

Five interesting and newsworthy stories: Discouraging 
unnecessary civilian travel; mobile laundry for front-line 
soldiers; completion of the Alcan Highway to Alaska; 
jungle fighting in New Guinea; and the Marines’ Hymn. 

U. S. NEWS REVIEW: Issue No. 3 (19 minutes) 

Six stories of universal interest: Testing a new plywood 
bomber, the Mosquito; civilians learn to "fixit”; occupa¬ 
tion of Milne Bay in New Guinea; Liberators blast 
Naples; letter from a war worker whose son was killed in 
action; and the Coast Guard song, "Semper Paratus.” 

U. S. NEWS REVIEW: Issue No. 4 (17 minutes) 

Fighting on Timor, northwest of Australia; Army salvage 
of obsolete equipment; protecting Britain’s books; war¬ 
time fishing; Russian-German fighting in the Caucasus; 
and an Australian novelty song, "Thingummybob.” 

U. S. NEWS REVIEW: Issue No. 5 (14 minute.) 

This issue contains five timely stories: Safety rules for 
women war workers, an absenteeism cartoon, care for 
children of working mothers, 1,000-plane raid on the 
German seaport of Bremen, and the Army Air Corps song. 

*WARTIME NUTRITION no minutcs , 

Simple rules of eating to be followed by Americans at 
home, in factories, in restaurants, and cafeterias. 


Page 10 


WESTERN FRONT (See CHINA—OUR 
WESTERN FRONT) 

WHAT MAKES A BATTLE <u minutes) 

The Battle of the Marshall Islands was a piece of master 
strategy. Forces of land, sea, and air united to strike 
blows that resulted in success and each success resulted 
in another battle. Wounded and casualties were every¬ 
where, and out of 10,000 Japs only 264 surrendered. 
Treasury-War Department. 

*WHEN WORK IS DONE (9 minutes) 

This is the story of what is happening to many American 
small towns in wartime. Into hundreds of communities, 
ill equipped to handle the influx, thousands of people 
have poured to take work in war plants. Sylacauga, Ala., 
was a town which had this problem, but licked it with 
effective planning by working out a program which got 
people together. 

WINGS UP (22 minutes) 

The story of the 12 weeks of discipline, concentrated 
study, and hard work leading to graduation from the 
Officers’ Candidate School of the U. S. Army Air Forces 
and the rank of second lieutenant. Narrated by Capt. 
Clark Gable. Army Air Forces. 

WINNING YOUR WINGS (18 minutes) 

Lt. James Stewart of the Army Air Forces explains the 
work of the air forces, the requirements for enlistment, 
and the reasons for volunteering. "Probably the most 
inspiring film of its sort yet released.”—Chicago Daily 
News. Warner Brothers. 


*THE WORLD AT WAR (44 minutes) 

A graphic history of the years 1931-41—from the Japa¬ 
nese invasion of Manchuria in 1931 to the bombing of 
Pearl Harbor 10 years later. The pattern of aggression 
in China, Ethiopia, Spain, Poland, Belgium, Holland, and 
France. 

Song Shorts (3 minutes each) 

♦Anchors Aweigh * Coast Guard Song 

♦Caissons Go Rolling Along *Marines’ Hymn 

♦Keep ’Em Rolling 

Stirring songs sung "off screen” against backgrounds of 
appropriate action scenes. For audience participation, 
words of the songs are superimposed. 


♦Available for outright purchase. 


i 


Page, 11 



Distributors of Office of War 
Information Films 


Alabama: 

Birmingham Public 
Schools 

Department of Visual 
Instruction 
2301 Avenue J 
Birmingham 3, Ala. 

Wilfred Naylor 

1907 Fifth Avenue, North 

Birmingham, Ala. 

Visual Aids 
University of Alabama 
University, Ala. 

Alaska: 

U. S. Office of Indian 
Affairs 

Juneau, Alaska 

Arizona: 

Visual Aids 
University of Arizona 
Extension Division 
Tucson, Ariz. 

Arkansas: 

University of Arkansas 
Extension Service 
Fayetteville, Ark. 

State War Film Coordina¬ 
tor 

State Department of Edu¬ 
cation 

Little Rock, Ark. 
California: 

Kern County Film Library 
Courthouse 
Bakersfield, Calif. 

University of California 
Extension Division 
Berkeley, Calif. 

Bell & Howell Co. 

716 North LaBrea Avenue 
Hollywood, Calif. 

Board of Education 
Visual Education Service 
1205 West Pico Boulevard 
Los Angeles 15, Calif. 

Los Angeles County Schools 
808 N. Spring Street 
Los Angeles, Calif. 

William M. Dennis 
25 O 6 V 2 W. Seventh Street 
Los Angeles 5, Calif. 


Defense Council 
Film Bureau 
86 City Hall 
Los Angeles 12, Calif. 

Ideal Pictures Corporation 
2408 W. Seventh Street 
Los Angeles 5, Calif. 

Screen Adettes, Inc. 

1709 W. Eighth Street 
Los Angeles 14, Calif. 

University of California 
Extension Division 
813 S. Hill Street 
Los Angeles 14, Calif. 

Oakland Public Schools 
Audio-Visual Department 
Oakland, Calif. 

Pasadena City Schools 
Library and Visual Service 
1501 East Villa Street 
Pasadena 4, Calif. 

Audiofilms Co. 

262 Scenic Boulevard 
Piedmont 11, Calif. 

County of San Diego 
Visual Education Dept. 
1255 University Avenue 
San Diego 3, Calif. 

San Diego City Schools 
Visual Instruction Center 
833 Thirteenth Street 
San Diego, Calif. 

Filmosound Library 
Photo and Sound, Inc. 

153 Kearny Street 
San Francisco, Calif. 

Screen Adettes, Inc. 

68 Post Building 
San Francisco 4, Calif. 

Russell C. Roshon 
Pacific Building 
San Francisco, Calif. 

Y. M. C. A. Motion Pic¬ 
ture Bureau 
351 Turk Street 
San Francisco, Calif. 

Colorado: 

University of Colorado 
Bureau of Visual Instruc¬ 
tion 

Boulder, Colo. 

Akin & Bagshaw, Inc. 

1425 Williams Street 
Denver, Colo. 


Page 12 


Denver Public Schools 
Dept, of Research and 
Vocational Education 
414 Fourteenth Street 
Denver, Colo. 

Ideal Pictures Corporation 
1739 Oneida Street 
Denver 7, Colo. 

Russell C. Roshon 
Denver Theater Building 
Denver, Colo. 

University of Denver 
Film Center 
Denver, Colo. 

Connecticut: 

Hebert Studios, Inc. 

53 Allyn Street 
Hartford 3, Conn. 

Department of Audio- 
Visual Education 
New Haven Public Schools 
New Haven, Conn. 

University of Connecticut 
Audio-Visual Aids Center 
Storrs, Conn. 

Delaware: 

Milton H. Hill, Inc. 

922 Shipley Street 
Wilmington, Del. 

District of Columbia: 

Bell & Howell Co. 

1221 G Street NW. 
Washington, D. C. 

Paul L. Brand 

816 Connecticut Ave. NW. 

Washington, D. C. 

Martin T. Hughes 
51 H Street NW. 
Washington, D. C. 

Florida: 

Gordon S. Cook 
1126 S. E. Fourth Street 
Fort Lauderdale, Fla. 

University of Florida 
Department of Visual In¬ 
struction 
Gainesville, Fla. 

Ideal Southern 16 mm. 
Pictures Co. 

9536 N. E. Second Avenue 
Miami 38, Fla. 

State Civilian Defense 
Council 

Tallahassee, Fla. 

Georgia: 

Board of Education 
Atlanta War Film Service 
City Hall 
Atlanta, Ga 


Distributor’s Group, Inc. 
756 W. Peachtree, N. W. 
Atlanta, Ga. 

Reagan Visual Education 
Co. 

101 Marietta Street 
Atlanta 3, Ga. 

Russell C. Roshon 
411 Connally Building 
Atlanta, Ga. 

Stevens-Ideal Pictures 
Corporation 
89 Cone Street, N. W. 
Atlanta 3, Ga. 

University System of 
Georgia 

Division of General Ex¬ 
tension 

223 Walton Street, N. W. 
Atlanta 3, Ga. 

Visual Education Depart¬ 
ment 

Agricultural Extension 
Service 

University of Georgia 
Athens, Ga. 

Hawaii: 

University of Hawaii 
Adult Education Dept. 
Honolulu, Hawaii 

Idaho: 

Film Library 
University of Idaho 
Extension Division 
Boise, Idaho 

University of Idaho 
Southern Branch 
Educational Film Service 
Pocatello, Idaho 

Illinois: 

Bell & Howell Co. 

Films Division 

1801 Larchmont Avenue 

Chicago 13, Ill. 

Film Bureau 

Office of Civilian Defense 
23 North Wacker Drive 
Chicago, Ill. 

College Film Center 
84 East Randolph Street 
Chicago, Ill. 

DeVry Corporation 
1111 Armitage Avenue 
Chicago 14, Ill. 

Dresner Projection Service 
64 E. Lake Street 
Chicago, Ill. 

Films, Inc. 

64 East Lake Street 
Chicago 1, Ill. 


Page 13 


McHenry Educational 
Films 

64 East Jackson Boulevard 
Chicago 4,. Ill. 

Howard Motion Picture 
Service 

7029 North Clark Street 
Chicago, Ill. 

Ideal Pictures Corporation 
82 East Eighth Street 
Chicago 5, Ill. 

Russell C. Roshon 

188 West Randolph Street 

Chicago, Ill. 

Soundies Distributors Cor¬ 
poration of America, 
Inc. 

209 W. Jackson Blvd. 
Chicago, Ill. 

Y. M. C. A. Motion Pic¬ 
ture Bureau 
19 South LaSalle Street 
Chicago, Ill. 

University of Illinois 
Visual Aids Service 
Champaign, Ill. 

Western Illinois State 
Teachers College 
Western Cooperative 
Library 
Macomb, Ill. 

The Venard Organization 
702 South Adams Street 
Peoria 2, Ill. 

Film Library 

Division of Departmental 
Reports 

5th St. & Sangamon Ave. 
Springfield, Ill. 

Film Council 
Board of Education 
228 N. LaSalle St. 

Chicago 1, Ill. 

Indiana: 

Indiana University 
Bureau of Audio - Visual 
Aids 

Bloomington, Ind. 

Gary Public Library 
5th Avenue at Adams St. 
Gary, Ind. 

Division of National De¬ 
fense 

The American Legion 
Indianapolis, Ind. 

Modern Talking Picture 
Service 

615 N. Illinois St. 
Indianapolis, Ind. 


Office of War Training 
Purdue University 
La Fayette, Ind. 

Ball State Teachers College 
Teaching Materials Service 
Muncie, Ind. 

Burke’s Motion Picture Co. 
434 Lincoln Way West 
South Bend 5, Ind. 

Indiana State Teachers 
College 

Extension Division 
Terre Haute, Ind. 

Dennis Film Bureau, Inc. 
29 East Maple Street 
Wabash, Ind. 

Iowa: 

Iowa State College 
Visual Instruction Service 
Ames, Iowa 

Pratt Sound Film Service 
805 3d Avenue S. E. 

Cedar Rapids, Iowa 

Eastin 16 mm. Pictures Co. 
Davenport, Iowa 

State University of Iowa 
Bureau of Visual Instruc¬ 
tion 

Iowa City, Iowa 
Kansas: 

Fort Hays Kansas State 
College 

Extension Division 
Hays, Kans. 

University of Kansas 
Bureau of Visual Instruc¬ 
tion 

Lawrence, Kans. 

Central Visual Education 
Service 

Broadview Hotel Building 
Wichita, Kans. 

Kentucky: 

D. T. Davis Co. 

231 West Short Street 
Lexington 15, Ky. 

University of Kentucky 
Bureau of Audio-Visual 
Aids 

Lexington 29, Ky. 
Louisiana: 

Southwestern Louisiana 
Institute 
Film Service 
Lafayette, La. 


Page 14 


Louisiana State Normal 
College 
Film Service 
Natchitoches, La. 

Harfilms, Inc. 

600 Baronne Street 
New Orleans 13, La. 

Ideal Southern Pictures 
336 Baronne St. 

New Orleans, La. 

Orleans Parish School 
Board 

Division of Audio-Visual 
Aids 

1835 Erato Street 
New Orleans 13, La. 

Russell C. Roshon 
Pere Marquette Building 
New Orleans, La. 

Louisiana Polytechnic In¬ 
stitute 

Film Service 
Ruston, La. 

Maine: 

Training Division 
Maine Civilian Defense 
Corps 

State House 
Augusta, Maine 

Film Service 
University of Maine 
22 Stevens Hall, S. 
Orono, Maine 

Stanley Dana Corporation 
Portland, Maine 

Maryland: 

Kunz Motion Picture 
Service 

432 N. Calvert Street 
Baltimore, Md. 

Stark Films 

Howard and Centre Streets 
Baltimore, Md. 

Massachusetts: 

Cooperative Extension 
Division 

Massachusetts State Col¬ 
lege 

Amherst, Mass. 

Boston University 
Division of Teaching Aids 
Boston, Mass. 

Cinema, Inc. 

234 Clarendon Street 
Boston, Mass. 

Visual Instruction 
200 Newbury Street 
State Dept, of Education 
Boston, Mass. 


J. H. Dunlop Co. 

172 Newbury Street 
Boston, Mass. 

Russell C. Roshon 
Little Building 
Boston, Mass. 

Visual Education Service, 
Inc. 

131 Clarendon Street 
Boston, Mass. 

Film Department 
Iris Pharmacy 
238 Main Street 
Brockton, Mass. 

South End Film Library 
56 Vallonia Terrace 
Fall River, Mass. 

Stanley Winthrop’s 
5-7 Revere Road 
Quincy 69, Mass. 

Irving C. Clark 
399 Dwight Street 
Springfield 3, Mass. 

Michigan: 

University of Michigan 
Bureau of Visual Educa¬ 
tion 

Ann Arbor, Mich. 

Cosmopolitan Film Libra¬ 
ries 

3248 Gratiot Avenue 
Detroit 7, Mich. 

UAW-CIO Film Depart¬ 
ment 

281 W. Grand Boulevard 
Detroit 16, Mich. 

W. D. Engleman Co. 

701 West Warren 
Detroit, Mich. 

Grand Rapids Public Li¬ 
brary 

Ryerson Library Building 
Grand Rapids 2, Mich. 

Capital Film Service 
1105 East Grand River 
East Lansing, Mich. 

Michigan Office of Civil¬ 
ian Defense 
Motion Picture Section 
300 North Grand Avenue 
Lansing, Mich. 

State Board of Control for 
Vocational Education 
115 W. Allegan Street 
Lansing, Mich. 


Page 15 


Minnesota: 

Cooperative Film Library 
Hibbing, Minn. 

Elliott Film Co. 

72 Glen wood Avenue 
Minneapolis 3, Minn. 

Film Preview, Inc. 

1504 Hennepin Avenue 
Minneapolis, Minn. 

Russell C. Roshon 
535 Andrus Building 
Minneapolis, Minn. 

University of Minnesota 
Bureau of Visual Instruc¬ 
tion 

Minneapolis 14, Minn. 

Department of Education 
War Emergency Activities 
St. Paul, Minn. 

Mississippi: 

Herschel Smith Co. 

119 Roach Street 
Jackson, Miss. 

State War Film Coordina¬ 
tor 

State Department of Edu¬ 
cation 

Jackson, Miss. 

Missouri: 

South East Missouri State 
Teacher’s College 
Cooperative Film Library 
Cape Girardeau, Mo. 

University of Missouri 
Visual Education Service 
Columbia, Mo. 

Ideal Pictures Co. 

926 McGee St. 

Kansas City 6, Mo. 

Kansas City Public 
Schools 

Department of Visual Ed¬ 
ucation 

3004 Benton Boulevard 
Kansas City, Mo. 

Kansas City Sound Service 
Co. 

926 McGee Street 
Kansas City 6, Mo. 

Russell C. Roshon 
Midland Building 
Kansas City, Mo. 

Board of Education 
Educational Museum 
4466 Olive Street 
St. Louis, Mo. 


Pictosound Movie Service 
6125 Marwinette 
St. Louis, Mo. 

Russell C. Roshon 
425 Louderman Building 
St. Louis, Mo. 

Swank Motion Pictures 
614 North Skinker Boule¬ 
vard 

St. Louis 5, Mo. 

Montana: 

Visual Education 
State Department of Pub¬ 
lic Instruction 
Helena, Mont. 

Campbell Films 
Manhattan, Mont. 

Nebraska: 

University of Nebraska 
Bureau of Audio-Visual 
Aids 

Lincoln, Nebr. 

Modern Sound Pictures, 
Inc. 

1219 Farnam Street 
Omaha 2, Nebr. 

Nevada: 

Agricultural Extension 
Division 

University of Nevada 
Reno, Nev. 

New Hampshire: 

University of New Hamp¬ 
shire 

Photo-Visual Service 
Durham, N. H. 

A. H. Rice & Co. 

P. O. Box 205 
Hollis, N. H. 

New Jersey: 

Audio-Film Libraries 
41 Washington Street 
Bloomfield, N. J. 

Art Zeiller 

120 Central Avenue 

Glen Rock, N. J. 

Board of Education 
Department of Library 
and Visual Aids 
Newark, N. J. 

J. C. Reiss 
Reiss Building 
10 Hill Street 
Newark, N. J. 

The Princeton Film Cen¬ 
ter 

410 Nassau Street 
Princeton, N. J. 


Page 16 


New Mexico: 

University of New Mexico 
Extension Division 
Albuquerque, N. Mex. 

New York: 

N. Y. State War Council 
Film Division 
353 Broadway 
Albany 7, N. Y. 

Bureau of Visual Instruc¬ 
tion 

Board of Education 
110 Livingston Street 
Brooklyn, N. Y. 

Board of Education 
Visual Education Depart¬ 
ment 

Buffalo, N. Y. 

Buchan Pictures 

79 Allen Street 
Buffalo, N. Y. 

Bell & Howell Co. 

30 Rockefeller Plaza 
New York, N. Y. 

Brandon Films, Inc. 

1600 Broadway 
New York 69, N. Y. 

King Cole’s Sound Service 
203 East 26th Street 
New York, N. Y. 

Film Coordinator 
Civilian Defense Volun¬ 
teer Office 
City Hall 
New York, N. Y. 

Films, Inc. 

330 West 42d Street 
New York 18, N. Y. 

Walter O. Gutlohn, Inc. 
25 West 45 th Street 
New York 19, N. Y. 

Institutional Cinema Serv¬ 
ice, Inc. 

1560 Broadway 
New York, N. Y. 

International Workers Or¬ 
der, Inc. 

80 Fifth Avenue 
New York 11, N. Y. 

Mogull’s, Inc. 

68 West 48th Street 
New York 9, N. Y. 

New York University 
71 Washington Square, 
South 

New York 12, N. Y. 

Nu-Art Films, Inc. 

145 West 45th Street 
New York 19, N. Y. 


Pictorial Films, Inc. 

RKO Building 

Radio City 

New York 20, N. Y. 

Russell C. Roshon 
2200 RKO Building 
Radio City 
New York 20, N. Y. 

Bertram Willoughby Pic¬ 
tures, Inc. 

1600 Broadway 
New York 19, N. Y. 

Willoughby’s 
110 West 32d Street 
New York 1, N. Y. 

Y. M. C. A. Motion Pic¬ 
ture Bureau 
347 Madison Avenue 
New York, N. Y. 

John E. Allen, Inc. 

6 George Street 
Rochester 2, N. Y. 

Board of Education 
Department of Visual and 
Radio Education 
13 Fitzhugh Street, South 
Rochester, N. Y. 

Educational Film Service 
University of Rochester 
Rochester, N. Y. 

Board of Education 
Department of Science 
Syracuse, N. Y. 

Syracuse University 
Educational Film Library 
Syracuse 10, N. Y. 

Ideal Motion Picture Serv¬ 
ice 

393 St. Johns Avenue 
Yonkers, N. Y. 


North Carolina: 

Charlotte Public Library 
Charlotte, N. C. 

Russell C. Roshon 
Liberty Life Building 
Charlotte, N. C. 

University of North Caro¬ 
lina 

Bureau of Visual Instruc¬ 
tion 

Chapel Hill, N. C. 

National Film Service 
14 Glenwood Avenue 
Raleigh, N. C. 


Page 17 


North Dakota: 

North Dakota Agricul¬ 
tural College 

Department of Corre¬ 
spondence Study 
Fargo, N. Dak. 

Ohio: 

Board of Education 
Department of Visual 
Aids 

Akron, Ohio 

Ralph V. Haile and Asso¬ 
ciates 

215 Walnut Street 
Cincinnati, Ohio 

Cincinnati Public Schools 
Visual Aids Exchange 
511 West Cover Street 
Cincinnati, Ohio 

Manse Film Library 
2514 Clifton Avenue 
Cincinnati 19, Ohio 

Russell C. Roshon 
Fourth Floor 
Keith Theater Building 
Cincinnati, Ohio 

Cleveland Public Library 
325 Superior Avenue 
Cleveland, Ohio 

Cleveland Public Schools 
Educational Museum 
4914 Gladstone Avenue 
Cleveland 4, Ohio 

Sunray Films Co. 

2108 Payne Avenue 
Cleveland 14, Ohio 

Ohio Slide & Film Ex¬ 
change 

State Department of Edu¬ 
cation 

Columbus, Ohio 

Twyman Films, Inc. 

29 Central Avenue 
Dayton 1, Ohio 

Board of Education 
1219 National Bank Build¬ 
ing 

Lima, Ohio 

Martin Sound Systems 
610 Stott Avenue 
Massillon, Ohio 

Board of Education 
Visual Education Depart¬ 
ment 

Toledo, Ohio 

Cousino Visual Education 
Service 

1221 Madison Avenue 
Toledo 2, Ohio 


Oklahoma: 

East Central State College 
District Coordinator— 
War Films 
Ada, Okla. 

Southeastern State College 
Durant, Okla. 

University of Oklahoma 
Visual Education Depart¬ 
ment 

Norman, Okla. 

Camera Shoppe 
2301 Classen Boulevard 
Oklahoma City, Okla. 

H. O. Davis 

522 North Broadway 

Oklahoma City, Okla. 

Oregon: 

Oregon State System of 
Higher Education 
Department of Visual In¬ 
struction 
Corvallis, Oreg. 

Ideal Pictures Corporation 
915 S. W. 10th Ave. 
Portland 5, Oreg. 

Portland Public Schools 
Department of Visual Ed¬ 
ucation 

631 N. E. Clarkamas 
Street 

Portland, Oreg. 

Screen Adettes, Inc. 

314 S. W. Ninth Avenue 
Portland 5, Oreg. 

Pennsylvania: 

Kelly Studios 
14 E. 10th Street 
Erie, Pa. 

J. P. Lilley & Son 
277 Boas Street 
Harrisburg, Pa. 

Indiana Film Library 
Indiana State Teachers 
College 
Indiana, Pa. 

James A. Peters 
41 South Fourth Street 
Allentown, Pa. 

Johnstown Photo Supply 
242 Franklin Street 
Johnstown, Pa. 

Film Library 

State Teachers College 

Millersville, Pa. 

Kunz Motion Picture 
Service 

1319 Vine Street 
Philadelphia 7, Pa. 


Page 18 


Russell C. Roshon 
Fox Theater Building 
Philadelphia, Pa. 

Philadelphia Council of 
Defense 
Film Division 
Broad Street Station 
Philadelphia, Pa. 

School District of Phila¬ 
delphia 

Department of Visual Ed¬ 
ucation 

Parkway at 21st Street 
Philadelphia, Pa. 

Pennsylvania College for 
Women 

PCW Film Service 
Pittsburgh, Pa. 

Pittsburgh Public Schools 
Department of Visualiza¬ 
tion 

Osceola and Cypress Street 
Pittsburgh, Pa. 

Russell C. Roshon 
520 State Theater Build¬ 
ing 

Pittsburgh, Pa. 

Clem Williams Films 
802 Pitt Bank Building 
Pittsburgh, Pa. 

Defense Council 
Court House 
Reading, Pa. 

Pennsylvania State College 
Audio-Visual Aids Service 
State College, Pa. 

Kunz Motion Picture 
Service 

170 East Main Street 
Uniontown, Pa. 

York Film Library 
Hartley Building 
York, Pa. 

Rhode Island: 

Department of Public 
Schools 

Visual Instruction Section 
20 Summer Street 
Providence, R. I. 

Rhode Island State Coun¬ 
cil of Defense 
1051 North Main Street 
Providence, R. I. 

South Carolina: 

University of South Caro¬ 
lina 

Audio-Visual Aids Bureau 
Extension Division 
Columbia, S. C. 


South Dakota: 

University of South Da¬ 
kota 

Extension Division 
Vermillion, S. Dak. 

Tennessee: 

University of Tennessee 
Division of University 
Extension 

Knoxville 16, Tenn. 

Ideal Pictures Corpora¬ 
tion 

18 South Third Street 
Memphis 3, Tenn. 

Russell C. Roshon 
88 Madison at Main 
Memphis, Tenn. 

Texas: 

Visual Education, Inc. 

12 th at Lamar 
Austin 21, Tex. 

State War Film Coordina¬ 
tor 

State Department of Edu¬ 
cation 

Austin 11, Tex. 

University of Texas 
Visual Instruction Bureau 
Austin 12, Tex. 

Films, Inc. 

Gulf States Building 
Dallas 1, Tex. 

National-Ideal Pictures 
2024 Main Street 
Dallas 1, Tex. 

Russell C. Roshon 
Guardian Life Building 
Dallas, Tex. 

Visual Education, Inc. 
Gulf States Building 
Dallas 1, Tex. 

Y. M. C. A. Motion Pic¬ 
ture Bureau 
1700 Patterson Avenue 
Dallas, Tex. 

Texas Technological Col¬ 
lege 

Bureau of Public Service 
Lubbock, Tex. 

Utah: 

Brigham Young Uni¬ 
versity 

Bureau hf Visual Instruc¬ 
tion 

Provo, Utah 


Page 19 


Vermont: 

University of Vermont 
Robert Hull Fleming Mu¬ 
seum 

Burlington, Vt. 

Virginia: 

Bureau of Teaching Mate¬ 
rials 

State Board of Education 
Richmond 16, Va. 

Ideal Pictures Co. 

219 East Main Street 
Richmond 19, Va. 

National Film Service 

309 East Main Street 
Richmond, Va. 

Washington: 

Central Washington Col¬ 
lege of Education 
Office of Visual Education 
Ellensburg, Wash. 

State College of Washing¬ 
ton 

Bureau of Visual Teach¬ 
ing 

Pullman, Wash. 

King County Schools 

310 County-City Building 
Seattle, Wash. 

Rarig Motion Picture 
Company 

5514 University Way 
Seattle 5, Wash. 


Seattle Public Schools 
Department of Visual Ed¬ 
ucation 

810 Dexter Avenue 
Seattle, Wash. 

Spokane Public Schools 
Department of Audio- 
Visual Education 
West Fourth Avenue 
Spokane, Wash. 

Department of Audio- 
Visual Aids 
Tacoma Public Schools 
Tacoma 1, Wash. 

West Virginia: 

University of West Vir¬ 
ginia 

Film Division Library 
Morgantown, W. Va. 

Wisconsin: 

University of Wisconsin 
Bureau of Visual Instruc¬ 
tion 

Madison 6, Wis. 

Photoart House 
844 North Plankinton 
Avenue 

Milwaukee, Wis. 

War Information Center 
Milwaukee Public Library 
Milwaukee, Wis. 

Wyoming: 

University of Wyoming 
Cooperative Film Library 
Laramie, Wyo. 


Page 20 






LIBRARY OF CONGRESS 



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